‘Truth Hurts’ and how!

It’s fascinating that a single, which initially had no album, ends up being the breakthrough song for singer, Lizzo, whose latest release, Cuz I Love You, debuted this past April, and features the aforementioned hit song, Truth Hurts, which was released in 2017. That’s right, 2017. The eligibility period for the 2020 Grammy Awards is October 1, 2018 through August 31, 2019. It would seem the song is too good, too late, but through the magic of semantics, its chances are almost magically revived.

To a lay person, a track and a single are the same thing, but in Grammy speak, a single is a separate, individual entity; a track is a recording on an album. A single is entered for consideration if it is different (i.e, remixed, features additional artists, etc) from the album (not the case here) or if it is released in advance of the album (definitely the case here). So there’s the single from 2017 and the track from 2019, which are identical, but the Academy only recognizes the original album version for screening and verification and ta-da! That’s how Lizzo’s two-year old song gets her some timely recognition.

side note for the haters in the peanut gallery:

Perhaps the Grammys will take note of this particular instance and make changes, but in the meantime the song’s entry, according to the body which governs its entry, is legitAnd if you’re still grouchy about ‘Truth Hurts‘ inclusion, think on this: at the 43rd annual Grammys, the award for Best New Artist went to Shelby Lynne for outstanding work on her sixth studio album, beating out front-runner, Sisqo, known previously for his work with R & B group, Dru Hill. Take Alessia Cara: her debut, Know-It-All was released in 2015; she had hit singles in 2017 with ‘Stay and ‘1-800-273-8255‘ and was nominated (and won) for Best New Artist in 2018. My point? Grammy rules can be arbitrary, but why be mad about someone worthy having the opportunity to be recognized?

Author: k allisse

This journal is my exploration of all things: social, political, faith based, artistic, popular and of course, uselessly random.

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